In Coleridge’s “Fears of Solitude” the narrator takes a
unique position on the revolution from that of his contemporaries, Burke and More.
As the other posters have indicated, the narrator in “Fears” chooses to
chastise not the French, but his fellow countrymen about the wrongs which make
them deserving of violence and destruction. He recognizes the corruption of his
British homeland, and, with the chaos of the revolution on the horizon, the narrator
has a “filial fear” for the fate of his country (1n. 199). In reflection of
this brotherly concern, Coleridge’s narrator develops a “tough-love” attitude
toward the citizens of Britain .
He says they have been “drinking with a riotous thirst the pollutions from the
brimming cup of wealth” (1n. 55-6) and they have become insensitive to the
killing of innocents in war, calling it “the best amusement of our morning
meal” (ln. 105). In this criticism he
does not address a specific class, but he blames all people of all
socio-economic classes (lns. 70-75), uniting them in fault and in duty to each other,
as well as to their “brother” narrator. As a brother, the narrator recognizes
the faults of his family, or his country, and therefore recognizes the
potential of Britain
to correct their wrongdoings. With the cyclic motion of the poem, the narrator
concludes with the image of the “green and silent dell”: an uplifting reminder
of what Britain
once was and what it has the potential to become again with the recognition and
support of its citizens.
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