As kat mentioned, there are a lot of similarities between “Adonais”
and “Lycidas,” but Shelley’s pastoral elegy is much stronger than Milton’s in
my opinion, even though he does play around with the form.
Shelley didn’t write the elegy out of obligation, like
Milton did for King (who was just a classmate, not a close friend) so the
mourning and emotion is much stronger, as shown by how Nature really, really
mourns for Keats “And the wild winds flew round, sobbing in their dismay.” The
fact that Shelley also thinks about the nature of death in the poem also shows
how much Keats’ death is on his mind, because we are often reminded of our own
mortality when someone close dies. Because Shelley doesn’t speak in hyperbole
like Milton, he is also much more genuine, as I think is shown by the very fact
that he wrote an elegy, a poem that was supposed to be written early in one’s
career, as Milton did with “Lycidas.” However, Shelley does go off the beaten
path a bit by wishing he were dead and with Keats at the end of the poem This
is not at all common with pastoral elegies, but I think this is another
instance that underlines how much passion and tears were put into the elegy,
unlike “Lycidas.”
I think its important to keep in mind that Milton wrote "Lycidas" for himself as much as for King. Replacing King with Milton as the victim in the poem would change very little: at the time Milton was also a relatively unknown poet and if he had died the response would be much the same. He also saw the pastoral elegy as the first stepping stone on the way to writing an epic.
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