In his poem "The Sailor, Who Had Served in
the Slave Trade," Robert Southey makes a vehement and effective appeal to
his audience's pathos. Firstly, although the event very well may have taken
place, Southey presents this dialogue between the sailor and the minister as if
it is entirely true, saying he has not added "the slightest addition or
alteration." Also, he highlights the sailor's extreme anguish by utilizing
several superlatives, such as, "He follows, follows every where,/And every
place is Hell!/O God...and I must go with Him/In endless fire to dwell!"
Southey's most effective means of swaying his audience comes with the anecdote
of the sailor flogging a female slave while the demanding captain looks on. His
imagery here is masterful, especially in his mention of the slave's child and
the imagery of his mother's body being thrown overboard. Imagining that such
atrocities were commonplace at the time is quite difficult to accept to modern
readers and perhaps even to Southey’s contemporaries. Thus, Southey ends the
poem with a cry for help from all of his readers in praying for the sailor's
tattered soul and, thereby, those of all people affected by the gruesome
institution that was the slave trade.
I agree with your reading of the poem as a cautionary tale. The approachable language and form make the poem, like those of Cowper, approachable to a general audience. It seems as though this specific poem could stand to represent an entire genre of approachable, admonitory writing brought about in the wake of abolition.
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