It is known that Castle
Rackrent was published at least six months before the union between Britain
and Ireland was solidified. The ending of Maria Edgeworth’s narrative leads me
to believe she knew the union inevitable, and the point was to salvage a national
identity. This is illustrated by the recount of Sir Condy’s drinking duel and
subsequent death at the end of the book. The man who is dared to drink the special horn-full of
“punch” – which I can only take as meaning beer – does not manage to do so; and
he lives. On the other hand, Sir Condy downs the drink in one draught, much to
his detriment. This anecdote serves as conceit. The metaphor is of England’s
possession of Ireland; Sir Condy is England and the beverage Ireland. If
England tries to completely absorb Ireland and steal her of her heritage, the
union will surely fail. England must leave a little drink in the horn; she must
let Ireland retain her national identity and be a sister – separate but united – to England. This is Maria’s chief
concern, educating (especially England) the world on the great country of
Ireland; for, “Indeed the domestic habits of no nation in Europe were less
known to the English than those of their sister country.”
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