Similar to “The Wife of
Asdrubal,” this work too also represents women in a masculine way – taking control
and taking powerful action. What I found most interesting was the ordering of
the bride’s characterization in this work. She starts off stereotypical. She is
leaving her family in what is described and references as a normal ritual
before a wedding. She is emotional and feminine in these pastoral and Romantic
descriptions. As I read these, I was in fact waiting for Hemans to shift.
Surely enough, the bride becomes impassioned and takes control of the situation,
abandoning her female roles (especially her wedding). What is interesting is
that in order to become the masculine, powerful character, she abandons her
family and her future husband. After both are taken from her and she is
separated, she then can become a dominate character. I think this is the
bleeding through of Hemans beliefs, perhaps that it is cookie-cutter roles that
women are expected to fulfill that prohibit them from becoming something more.
Women are expected to be perfect daughters and obedient wives, but this poem
exposes the further potential once those roles are eliminated.
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