Hemans' style seems to be a renewal of the eighteenth century Augustan poetry. As Peacock explains in "The Four Ages of Poetry," this period focused on many of the same themes as the Renaissance, but with more refined poetic forms. All of Hemans' poems are written in heroic couplets, which give them a grand, epic quality. She also choses subject matter from classical history and mythology, which give her work more legitimacy.
This push towards the more grandiose style of Pope and Dryden would become a standard in the Victorian era. Hemans work will become a template for poets such as the Brownings, Tennyson, and Longfellow. Hemans thus becomes the bridge between the Romantic and Victorian eras, whether she intended to or not. By returning to a discarded poetic mode, Hemans facilitates the evolution of poetry.
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